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Welch & Rawlings

Saturday, 3 December, 2011

With the light, dry wit that marks his superb musical criticism, Ludovic Hunter-Tilney of the Financial Times recently wrote, “Gillian Welch’s European tour, which ended in London this week, will not have been a bonanza for local haulage firms and roadies.” Hunter-Tilney was watching Welch and David Rawlings in action at the Hammersmith Apollo in London and the “show” consisted of two performers, two acoustic guitars and two pairs of microphone stands. “As stage shows go, it is austere in the extreme,” he noted. And the music? “To become disenchanted you must once have been enchanted,” he observed. “That was precisely the state of mind that Welch’s and Rawlings’s masterly performance provoked.” This is great music making.


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