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#Brexit: Michel Houellebecq makes his move

Tuesday, 21 June, 2016

10 September, 2001: The publishers of Michel Houellebecq’s novel Platform, Groupe Flammarion, who had been charged with hate speech in France, publicly apologized for any offense its anti-Islamic themes might have caused. The book ends with an Islamist terror attack on a resort in Thailand. On the following day, an Islamist terror attack did take place, not in Asia, but in the USA. However, the 2002 Islamist atrocity in Bali was remarkably similar to the one described in Platform.

7 January 2015: Michel Houellebecq’s novel Submission is published. It depicts a not-too-distant Europe losing the cultural civil wars and France drifting towards an Islamic takeover. As fate would have it, the publication date coincided with the Islamist massacre at the offices of satirical magazine Charlie Hebdo.

23 June 2016: The day Britain votes on whether to leave the European Union, Michel Houellebecq’s exhibition of his own photography opens in Paris at the Palais de Tokyo. Houellebecq is cheering for Brexit: “I’d love it. I’d love it if the English gave the starting signal for the dismantling. I hope they won’t disappoint me. I’ve been against the [European] idea from the start. It’s not democratic, it’s not good,” he says in a Financial Times profile published at the weekend.

“I really like England, I really like the fact of it having been the only country, for quite a while, to have resisted Hitler. I’d really like it to leave, to signal the independence movement.” Michel Houellebecq

The first picture in his Rester vivant exhibition shows a angry reddish dusk seen from his apartment. A line from of his one of his poems: “Il est temps de faire vos jeux” (“It’s time to place your bets”) is superimposed onto the gory sky. Another image, France #014 (1994), shows the word “Europe” carved in concrete. With Houellebecq, the timing is always significant. Place your bets.

Irlande


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