“Limerick’s Lorca” is how Seamus Heaney, the Nobel Prize winner for Literature in 1995, described the poet Michael Hartnett. “I am the immense shadow of my tears,” said Federico García Lorca and Death of an Irishwoman echoes Lorca’s flamenco-inspired cante jondos (deep songs) that explore love and tragedy.
Death of an Irishwoman
Ignorant, in the sense
she ate monotonous food
and thought the world was flat,
and pagan, in the sense
she knew the things that moved
at night were neither dogs nor cats
but púcas and darkfaced men,
she nevertheless had fierce pride.
But sentenced in the end
to eat thin diminishing porridge
in a stone-cold kitchen
she clenched her brittle hands
around a world
she could not understand.
I loved her from the day she died.
She was a summer dance at the crossroads.
Michael Hartnett (1941 – 1999)