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Paglia on Elitist Garbage & Contemporary Feminism

Saturday, 18 March, 2017

Camille Paglia is in the news thanks to her new book, Free Women, Free Men: Sex, Gender, and Feminism. It’s a collection of her thoughts from 1990 to the present, and in an interview with Vice she argues that feminism is now dominated by educated white women at the expense of working class women and men. Snippet:

The book argues that construction workers and other working class men’s work have gone unnoticed. How has society ignored their contributions to society?

It is an absolute outrage how so many pampered, affluent, upper-middle-class professional women chronically spout snide anti-male feminist rhetoric, while they remain completely blind to the constant labor and sacrifices going on all around them as working-class men create and maintain the fabulous infrastructure that makes modern life possible in the Western world. Only a tiny number of women want to enter the trades where most of the nitty-gritty physical work is actually going on—plumbing, electricity, construction. Women have played virtually no role in the erection of those magnificent towers in every major city in the world. It’s men who operate the cranes or set the foundations or wash windows on the 85th floor. It’s men who troop out at 2:00 AM during an ice storm to restore power to neighborhoods where falling trees have brought down live wires. It’s men who mix the stinking, toxic cauldrons to spread steaming hot tar on city roofs. Last year in a nearby town, I drove by a huge, chaotic scene where emergency workers in hazmat suits were struggling with a giant pipe break, as raw sewage was pouring into the street. Of course all those workers up to their knees in a torrent of thick brown water were men! I’ve seen figures indicating that 92 per cent of people killed on the job are men—and it’s precisely because men are heroically doing most of the dangerous jobs in modern society. The bourgeois blindness of feminist leaders to low-status working-class labor by men is morally corrupt! Gay men, on the other hand, have always shown their awed admiration of working-class masculinity and fortitude. It’s no coincidence that a buff construction worker in a hard hat was one of the iconic personae of the gay disco group, the Village People, during the Studio 54 era!

The women Camille Paglia admires do not insult or denigrate men. Instead, they demand the right to show that women can match or surpass men. Her quarrel with contemporary feminism is that male-bashing is now its default mode and the fanatics are in charge. She cites the case of Kate Millett whose “life has been a series of mental breakdowns and hospitalizations.” Paglia wants women and men to be free to determine their own identities and interests “without intrusive surveillance and censorship by women with their own political agenda.”

Fearless in the face of political correctness and unapologetic in her quest for freedom Camille Paglia loves the highway and loathes the airport: “I’m a driver. I love my car, where I can be free as the wind! Air travel these days is like being caught in a mass flight of ragged, hollow-eyed refugees from war-torn Berlin.”


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