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Film of the Year 2018

Saturday, 29 December, 2018

The award goes to L’Apparition, Xavier Giannoli’s story of a journalist (Vincent Lindon) investigating a young woman (Galatea Bellugi) who claims to have seen the Virgin Mary. The film is divided into several chapters, which follow the war-worn hack Jacques as he travels back to France from the Middle East, where a a combat photographer friend died at his side, leaving Jacques with a constant pain in his ears. Out of the blue, he’s summoned to the Vatican and in a beautifully-shot sequence set in its archives, Jacques learns that an 18-year-old girl named Anna claims to have seen an apparition outside her village in the mountains of southern France. Since then, the place has become a pilgrimage destination where believers travel from around the world to witness the visionary that is Anna. The Vatican wants Jacques to find out whether the apparition occurred, or whether she made it all up.

If Dan Brown were in charge of the script, Jacques would quickly uncover a conspiracy involving Satan, the Illuminati, Donald Trump, demons and an evil Latin-speaking cardinal. Xavier Giannoli, however, takes a different path, but he tips his hat to fans of Catholic corruption with the role of Father Borrodine (Patrick d’Assumcao), whose parish has benefitted from Anna’s “vision”, and Anton (Anatole Taubman), a networked Christian guru who hopes to turn the apparition into global marketing gold. Giannoli should have made L’Apparition into a statement about religion in our era, but he opted for a thriller that ends being resolved like a whodunnit. That’s disappointing, but in a year that offered an excess of cinematic rubbish, L’Apparition was a winner.


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