Notre-Dame: La pietà en marbre de Nicolas Coustou

Tuesday, 16 April, 2019

One of Notre-Dame’s centrepieces is the marble pietà by Nicolas Coustou (1658 – 1733) on the cathedral’s high altar. Initial photographs following yesterday evening’s fire showed that the sculpture was mostly unharmed, but its condition has not been confirmed.

Descente de croix has been compared with the art of Michelangelo and the comparison is valid because in 1681 Coustou won the Colbert Prize (the Prix de Rome), which entitled him to four years of education at the French Academy at Rome. There, the 23-year-old was immediately influenced by the sculpture of Michelangelo and Algardi and he tried to combine the characteristics of each in his later work.

Situated at the far end of Notre-Dame’s nave, Coustou’s pietà was backed by three major and several minor stained-glass windows. It was something of a miracle that it was never overwhelmed by its magnificent surroundings and it will require a real miracle now to restore those settings to their former glory.

Notre-Dame


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