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Tag: Donald Hall

Donald Hall kept country hours

Monday, 25 June, 2018

The death has taken place of the American poet Donald Hall, who wrote about a handful of themes that included his childhood, baseball, sex, farming, the death of his parents and the loss of his second wife and fellow poet, Jane Kenyon. They met in 1969, when she was his student at the University of Michigan. By the mid-70s they were married and living at Hall’s beloved home, Eagle Pond Farm, built in 1803 and belonging to his family since the 1860s. But Kenyon was diagnosed with leukaemia and died in 1995, when she was 47. Hall never stopped mourning her and had arranged to be buried next to her. Now, they are united again.

In one obituary today, it said: “He kept country hours for much of his working life, rising at 6am and writing for two hours.” The Black-Faced Sheep is beautiful and honest.

The Black-Faced Sheep

Ruminant pillows! Gregarious soft boulders!

If one of you found a gap in a stone wall,
the rest of you — rams, ewes, bucks, wethers, lambs;
mothers and daughters, old grandfather-father,
cousins and aunts, small bleating sons —
followed onward, stupid
as sheep, wherever
your leader’s sheep-brain wandered to.

My grandfather spent all day searching the valley
and edges of Ragged Mountain,
calling “Ke-day!” as if he brought you salt,
“Ke-day! Ke-day!”

When the shirt wore out, and darns in the woollen
shirt needed darning,
a woman in a white collar
cut the shirt into strips and braided it,
as she braided her hair every morning.

In a hundred years
the knees of her great-granddaughter
crawled on a rug made from the wool of sheep
whose bones were mud,
like the bones of the woman, who stares
from an oval in the parlor.

I forked the brambly hay down to you
in nineteen-fifty. I delved my hands deep
in the winter grass of your hair.

When the shearer cut to your nakedness in April
and you dropped black eyes in shame,
hiding in barnyard corners, unable to hide,
I brought grain to raise your spirits,
and ten thousand years
wound us through pasture and hayfield together,
threads of us woven
together, three hundred generations
from Africa’s hills to New Hampshire’s.

You were not shrewd like the pig.
You were not strong like the horse.
You were not brave like the rooster.

Yet none of the others looked like a lump of granite
that grew hair,
and none of the others
carried white fleece as soft as dandelion seed
around a black face,
and none of them sang such a flat and sociable song.

Now the black-faced sheep have wandered and will not return,
even if I should search the valleys
and call “Ke-day,” as if I brought them salt.
Now the railroad draws
a line of rust through the valley. Birch, pine, and maple
lean from cellarholes
and cover the dead pastures of Ragged Mountain
except where machines make snow
and cables pull money up hill, to slide back down.

At South Danbury Church twelve of us sit —
cousins and aunts, sons —
where the great-grandfathers of the forty-acre farms
filled every pew.
I look out the window at summer places,
at Boston lawyers’ houses
with swimming pools cunningly added to cowsheds,
and we read an old poem aloud, about Israel’s sheep,
old lumps of wool, and we read

that the rich farmer, though he names his farm for himself,
takes nothing into his grave;
that even if people praise us, because we are successful,
we will go under the ground
to meet our ancestors collected there in the darkness;
that we are all of us sheep, and death is our shepherd,
and we die as the animals die

Donald Hall (1928 – 2018)

The black-faced sheep