Tag: Hamburg

The smug face of Left-wing nihilism

Saturday, 8 July, 2017 1 Comment

The thug here caught snapping a selfie during last night’s so-called “anti-capitalism” riot in Hamburg is using an iPhone 7 Plus, which costs a cool €899. Priceless!

Hamburg thug

Described by the liberal press as “activists”, these spoiled brats and ruffians spent the night looting shops run by hard-working locals, immigrants and families who are trying to make decent living. What is truly appalling, however, is that the gangsters were encouraged by the likes of the leftist (!) millionaire (!) German publisher Jakob Augstein who, on Thursday night, tweeted: “The price has to be pushed so high that no one will want to organize such a conference. G20 like the Olympics is for dictatorships”

The looting, the burning, the injured police officers are a high price to pay for the satisfaction of well-fed smoked-salmon socialists.

The final tragedy of Philip Seymour Hoffman

Tuesday, 4 February, 2014 0 Comments

Ten days ago, Associated Press film writer Jessica Herndon spoke to Philip Seymour Hoffman in Park City, Utah, and here’s the opening sentence of her report: “Philip Seymour Hoffman’s new movie is a psychological thriller about terrorism, but he says it also has something to do with hitting a midlife crisis — and that’s what really drew him to the role.” The midlife crisis turned out to be more destructive than most of its kind and the actor was found dead on Sunday morning in his New York apartment, after a suspected drug overdose. He was 46.

The reason that Jessica Herndon interviewed Philip Seymour Hoffman in Park City was that his most recent film, A Most Wanted Man, had premiered at the Sundance Film Festival there. Hoffman plays a rogue German counter-terrorism expert, heading up an anti-terrorism team in Hamburg, the former home of the 9/11 hijackers. The film is based on John Le Carre’s 2008 thriller, which is marred by the author’s didacticism. The US has now replaced the USSR as the le Carré adversary of choice and his portrayal of Americans is too close to caricature to be considered seriously. It is a tragedy that this would turn out to be Philip Seymour Hoffman’s final serious film.