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Tag: The Hollywood Reporter

The first post of pre-Christmas 2018: January

Thursday, 13 December, 2018

We’re kicking off the Rainy Day review of this year’s postings with an entry dated 3 January. The title was “New Year’s reading: CRISPR.” Here goes.

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We’re devoting time this week to the books that were the presents of Christmas past. On Monday, it was The Best of A.A. Gill, a gift from Noel Donnelly, yesterday it was Five Escape Brexit Island, put in the Rainy Day Xmas stocking by Ian McMaster, and today it’s Change Agent by Daniel Suarez, a gift to this blogger from himself.

At the end of March last year, The Hollywood Reporter posted an “Exclusive” story titled “Netflix Options Upcoming Sci-Fi Novel ‘Change Agent’.” So, before the publisher had stocked up on ink to print the novel, its author was laughing all the way to bank. Nice one! What’s all the excitement about, then? Well, Change Agent is thriller about genetic engineering that combines CRISPR with non-stop action in Singapore, Malaysia and Myanmar. At the centre of the story is Kenneth Durand, an Interpol agent who’s given the face and body of a scary villain, thanks to some deft in vivo gene editing that threatens to eliminate the very notion of individual identity. In telling the yarn, Suarez creates a near-future world of cryptocurrencies, drones, surveillance, AR glasses, trade and terror. Snippet:

Early evening and Durand sat in the conditioned air of a private autonomous comcar as it merged into the close coordination of rush hour. His daughter’s wrapped birthday gift sat on the seat beside him. He leaned back and felt the stress of the day leave him.
In the distance he could see the glowing logos of synbio firms on the Singapore skyline. Licensed AR video ads played across the surfaces of several skyscrapers — although they were really only being beamed into Durand’s retinas by his own LFP glasses. The contract for his LFP glasses required exposure to specific layers of public advertising. At least he’d opted out of the low-end ads, but opting out of all AR advertising was prohibitively expensive.

Just the same, Durand frowned at the shoddy data management employed by the advertisers. He was clearly not in the target demographic for an ad gliding across the neighboring buildings, alive with images of Jedis, Starfleet officers, and steampunk characters: “Singapore’s premier Star Wars, Star Trek, and steampunk cosliving communities…”

Cossetted young professionals at the big synbio firms were a more likely demo for their product — single people with a couple million to blow on living in a theme park.

But by then the ad had shifted to CRISPR Critters. Gigantic, adorable neotenic cats cavorted from building to building, pursuing a virtual ball of yarn.

Durand decided to close his eyes.

He clicked off and followed other commuters down a narrow lane between old brick buildings. This MRT crowd skewed young — twenties and early thirties. Lots of expats. Well dressed and all talking to people who weren’t there. Snatches of conversation floated past him in Hokkien, Mandarin, Malay, Tamil, English, Russian, Swahili, German, Korean — and more he didn’t recognize. They’d no doubt come to Singapore to make their killing. To work threads in a blockchain corporation or license their own cellular machinery. XNA programmers. Genetic engineers. Entrepreneurs. And they all had to have impressive CVs to get a work visa in the city.

Change Agent

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Tomorrow, here, the second post of pre-Christmas 2018: February.


The media shift from reporting to resistance

Thursday, 29 December, 2016 0 Comments

Michael Wolff predicts that media wars will replace culture wars in Trump Era. To support this thesis, he asserts that “an agape media, full of umbrage, disbelief and panic, has elevated his cabinet picks to daily drama and turned Trump’s business affairs into an impeachable offense weeks before he is even to take office.”

In the Hollywood Reporter, Wolff heaps contempt on the Fourth Estate and he locates the behaviour of some journalists in the annals of terrorism:

“This is part of the sudden new journalism credo about not ‘normalizing” the 45th president (a concept originated by pro-Palestinian groups trying to restrict or ban any ‘normal’ activities — including kids soccer games — between Israelis and Palestinians). In other words, Trump, despite the paradox of his election, ought to be considered a rogue occupant of the White House. And, too, that the media should not commence ordinary relations with him.”

Wolff posits that part of the Trump goal might be to change the narrative of modern American life from “urban-global-multicultural to middle-American-nationalist-populist.” If that’s the case, going after the media, “the chief representative of the former, is bound to solidify his standing with the latter.” The mistrusted media is, says Wolff, a “better, more inclusive enemy in the cultural wars — much better to rally around these days than gays and abortions.” The smug media shift from reporting to resistance means we’re in for a fun four years.