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Tag: video

Eliza Carthy & The Wayward Band

Sunday, 25 June, 2017 0 Comments

They’ll be performing with brass, fiddles and bravura in St Canice’s Cathedral on Wednesday 16 August at 8pm as part of this year’s Kilkenny Arts Festival. Hug You Like A Mountain features Teddy Thompson, the son of musicians Richard and Linda Thompson, while Eliza Carthy is the daughter of musicians Martin Carthy and Norma Waterson. It doesn’t get more blue-blooded than this alliance of English folk-rock.


Aeroplane of unrequited love

Friday, 5 May, 2017 0 Comments

He describes himself as “an electronic music producer obsessed by the culture of Ireland.” He’s Daithi. She describes herself as “Singer-songwriter-human, from Co. Kildare, Ireland.” She’s Sinéad White and the two of them wrote Aeroplane.

According to Daithi and Sinéad, the song was inspired by old Irish TV dramas from the 1980s and ’90s. “True to the people of Ireland at the time, the characters in these shows all seem to have a hard time expressing their feelings, and we wanted to write a song that imagined what was going on in their heads, while they stumbled through talking to their love interest. The video for the song uses footage from a short film that was shot in my home town Ballyvaughan, Co. Clare, in the 1990s.”


The mighty Molly Tuttle

Thursday, 27 April, 2017 0 Comments

As a foretaste of her forthcoming album, Rise, which will be available on June 2, the mighty Molly Tuttle has released the track Save This Heart. She’s backed here on fiddle by John Mailander, bass, Todd Phillips, lap steel guitar, Darrell Scott, and percussion, Jano Rix. The video was directed by Bill Filipiak.


Expressive video, says Apple

Wednesday, 22 March, 2017 0 Comments

Cupertino, California — “Apple today introduced Clips, a new app that makes it quick and fun for anyone to create expressive videos on iPhone and iPad. The app features a unique design for combining video clips, photos and music into great-looking videos to share with friends through the Messages app, or on Instagram, Facebook and other popular social networks.”

That’s how yesterday’s PR release from Apple about its new Clips app begins. The word “expressive” does not appear anywhere in the Clips text so the curious reader has to search further for enlightenment. Is expressive video like immersive video? Or is it a format like FLV video, MP4 video or AVI video?

Susan Prescott, Apple’s VP of Apps Product Marketing, has the answer: “Clips gives iPhone and iPad users a new way to express themselves through video, and it’s incredibly easy to use.” Ah, so obvioius. And it’s incredibly easy for Apple to create new video categories. After expressive video, we can expect communicative video, indicative video, demonstrative video and assertive video, no doubt.

The most interesting aspect of Clips is what Apple calls “Live Titles.” This feature lets users create animated captions and titles using their voice. Effects include speech bubbles, shapes and posters. The captions are generated automatically, as you speak, appearing on screen synced with your voice and you can change them by adding your own text, punctuation or emoji.

Live Titles supports 36 different languages and the Clips app will be available for free in the App Store at the beginning in April. Over to you, Samsung.

Clips


Unplugging the thinking toaster

Friday, 24 February, 2017 0 Comments

Given that robots and automation will likely lead to many people losing their jobs, how should we deal with this upheaval? For Microsoft co-founder Bill Gates, the answer is clear: tax the robots. In an interview with Quartz, Gates argues that taxing worker robots would offset job losses by funding training for work where humans are still needed, such as child and elderly care. Quote:

“And what the world wants is to take this opportunity to make all the goods and services we have today, and free up labor, let us do a better job of reaching out to the elderly, having smaller class sizes, helping kids with special needs. You know, all of those are things where human empathy and understanding are still very, very unique. And we still deal with an immense shortage of people to help out there.”

But, no taxation without representation, right? So, should the tax-paying robots have rights? What if progress in AI enables them to achieve consciousness in the future? When the machines are programmed to feel suffering and loss, will they be entitled to “humanoid rights” protection? Or should we prevent machines being programmed to suffer and therefore deny them rights, for the benefit of their human overlords? Here’s what Kurzgesagt, the Munich-based YouTube channel, says:


Joshua Cowan’s Alpine Adventure

Thursday, 16 February, 2017 0 Comments

“In January i took a road trip through Europe visiting mountains, frozen lakes and steam trains in the forest,” says London-based video-maker Joshua Cowan, whose clients include, Under Armour, Adidas, Maserati, Vice, Sony and Visit Britain.


George Michael: Praying for Time

Monday, 26 December, 2016 0 Comments

This is, perhaps, his most elegiac song. RIP George Michael. Time ran out too soon.

These are the days of the open hand
They will not be the last
Look around now
These are the days of the beggars and the choosers

This is the year of the hungry man
Whose place is in the past
Hand in hand with ignorance
And legitimate excuses


Bob Dylan will be present but not there

Saturday, 10 December, 2016 0 Comments

They’ll be handing out the Nobel Prize in Literature tonight in Stockholm but the Laureate, Bob Dylan, won’t be there. Instead, he’s sending a speech and Patti Smith will perform A hard rain’s A gonna fall, which was first recorded on 6 December 1962 for The Freewheelin’ Bob Dylan, his second album. Here, it’s sung beautifully by Jason Mraz and the lack of images in this video clip suits the symbolism of the Swedish occasion perfectly as Dylan today is increasingly absent but constantly present.

And what did you hear, my blue-eyed son?
And what did you hear, my darling young one?
I heard the sound of a thunder, it roared out a warnin’
Heard the roar of a wave that could drown the whole world
Heard one hundred drummers whose hands were a-blazin’
Heard ten thousand whisperin’ and nobody listenin’
Heard one person starve, I heard many people laughin’
Heard the song of a poet who died in the gutter
Heard the sound of a clown who cried in the alley
And it’s a hard, and it’s a hard, it’s a hard, it’s a hard
And it’s a hard rain’s a-gonna fall


The old made modern

Saturday, 29 October, 2016 0 Comments

In his 2012 award-winning album, Ground Of Its Own, the English singer Sam Lee created something unique by giving traditional song the theatrical treatment. A typical example is his interpretation of the transported convict’s lament, Goodbye My Darling. The vocal and the video are pure drama as an 18th-century ballad is turned into 21st-century storytelling. Lee’s native London, with its immigrants and its elites, plays a leading role in the production.


Danny MacAskill’s Wee Day Out

Thursday, 13 October, 2016 0 Comments

The Scottish bike artist Danny MacAskill from Dunvegan on the Isle of Skye leaves no trick unturned when he takes a two-wheeler trip around Edinburgh.

The background song is National Express by Neil Hannon and The Divine Comedy from their 1998 album Fin de Siècle. National Express is based on Hannon’s observations of life as seen from the window of a British National Express bus. Critics have accused him of sneering at the English working classes in the song:

“On the National Express there’s a jolly hostess
Selling crisps and tea
She’ll provide you with drinks and theatrical winks
For a sky-high fee
Mini-skirts were in style when she danced down the aisle
Back in ’63 (yeah, yeah, yeah, yeah)
But it’s hard to get by when your arse is the size
Of a small country
And everybody sings ‘ba ba ba da’
We’re going where the air is free
Tomorrow belongs to me.”


Havana Moon

Saturday, 24 September, 2016 0 Comments

Good Friday, 25 March 2016: The Rolling Stones play a huge, free outdoor concert in Havana. The show was filmed by Paul Dugdale and the result, HAVANA MOON, was premiered on cinema screens around the world for one night only, last night. It was a mighty concert and the film captures the essence of the history it represented. Standout songs: Midnight Rambler, with Mick Jagger at his balletic best; Gimme Shelter, with Sasha Allen providing backing vocals and sexy interaction, and a stunning version of Satisfaction that will forever be remembered by those who have had the good fortune to see and hear the greatest rock band, ever.